It was perhaps the worst kept secret in the London music biz at the time, but we kinda dug the subterfuge anyway. Produced by The Pogues, The Rake At The Gates Of Hell (BBC Janice Long Show, October 10, 1986, previously unreleased) (d) [T. Woods] Some tracks were more successful, or at least more rewarding, than others. The Pogues song lyrics collection. Produced by Joe Strummer, Remixed by Simon Willey, Young Ned Of The Hill (Dub Version) (1989, from the CD single Misty Morning Albert Bridge) (d) (aka Down In The Ground Where The Dead Men Go) (1984 Demo, previously unreleased) (a) Dirty Old Town (Live At Glasgow Barrowlands) Lyrics 41. Produced by Steve Lillywhite, Engineered by Chris Dickee, assisted by Nick Lacey, Pinned Down / I'm Alone In The Wilderness (1990, outtake from the Hell's Ditch album sessions, previously unreleased) (d) The Pogues played a three night residency at Glasgow Barrowlands then toured throughout the first half of 1988 and KM would have appeared at many shows, though we don’t know which. Produced by Joe Strummer, Turkish Song Of The Damned (live at the Forum, London, 12 December 1991) (e) Produced by Stan Brennan, Engineered by Richard Preston, Billy's Bones (BBC Janice Long Show, July 3, 1985, previously unreleased) (b) [J. Finer] Мр. 46. Produced by Steve Lillywhite, Afro-Cuban Be-Bop (Single version) (from the movie I Hired A Contract Killer, released as a 7" single by Villealfa Film Productions record label, 1990) (d) Produced by The Pogues, The Donegal Express/The Hen and the Cock are in Carrickmacross (d) The Pogues Sheffield City Hall, Sheffield - Dec 22, 1987 Dec 22 1987 The Pogues Festival Hall, Melbourne - Jan 15, 1988 Jan 15 1988 Last updated: 14 Feb 2021, 07:06 Etc/UTC [B. Dylan] A bunch of dodgy Pogues tracks that did not merit release at the time they were made? Поустман. [S. MacGowan] es una caja de 5 discos de rarezas de The Pogues, lanzada en 2008. From this session come “The Rocky Road To Dublin” [Disc One], “Sea Shanty”, “Transmetropolitan”, “Kitty” and “Connemara, Let’s Go” [all Disc Two]. [P. F. Sloan] [E. MacColl] Just Look Them in The Eye and Say... POGUE MAHONE!! Some of our songs seemed to follow us around without ever quite finding a home. In 1991, Steve Lillywhite provided a new version combining fresh recording with elements of the earlier two). (1985, outtake from Poguetry In Motion EP sessions, rough mix, previously unreleased) (c) [S. MacGowan / J. Finer] Produced by The Pogues, Engineered by Nick Robbins, A Needle For Paddy Garcia (1986, from the soundtrack of the movie Sid And Nancy, previously unreleased) (c) Produced by Joe Strummer, Engineered by Paul Cobbold, Murder [Version 2] (1990, outtake from the Hell's Ditch album recording sessions, previously unreleased) (d) [D. Hunt] Find out when The Pogues last played live near you. [S. MacGowan / J. Finer] But we also had to be circumspect about what and where we recorded, as there was always the risk that the tapes could be held hostage by one or other of competing legal factions. [S. MacGowan] [S. MacGowan] (The “Rainy Night” saga did not, in itself, conclude there. [S. MacGowan] Produced by The Pogues, Danny Boy (BBC John Peel Show, December 4, 1984, previously unreleased) (a) La Kirsty also booked us as her band on a session which resulted in “All The Tears That I Cried” and “The One And Only” [both Disc Five]. [P. Gaston] The demos for the final Pogue Mahone album are almost a chapter in themselves, but are marked here by “The Sun And The Moon”, “Living In A World Without Her”, “Who Said Romance Was Dead?”, “Sound Of The City Night”, “Four O’Clock In The Morning” [all Disc Five] and “When The Ship Comes In” [Disc One]. The band reached international prominence in the 1980s and early 1990s. Produced by The Pogues, Engineered by Nick Robbins, Hot Dogs With Everything (1986, from the soundtrack of the movie Sid And Nancy and previously on 12" of Haunted) (c) [S. MacGowan] / [J. Hill] [J. Fearnley / T. Woods] Produced by Craig Leon, assisted by Cassell Webb, The Travelling People (c.1991, rehearsal recording, previously unreleased) (d) Afro-Cuban Be-Bop (Single Version) - The Pogues Lm 6. [A. Schroeder / B. Weisman] [P. Chevron] [S. MacGowan] [Disc Five]. [Trad arr MacGowan, Ranken, Finer, Fearnley, Stacy, O'Riordan] Produced by Elvis Costello, Mixed by Elvis Costello, Philip Chevron and Nick Robbins, Fairytale Of New York (extract from 1st Demo, c. 1986, previously unreleased) (c) Концерт The BeatLove в 16 Тонн (Арбат) 25.02. Produced by Stan Brennan, Engineered by Richard Preston, Boys From The County Hell (1984, "Radio-friendly" version of Stiff single) (a) Artista The Pogues Tipo album Raccolta Pubblicazione Maggio 2008 Dischi 5 Tracce 111 Genere Celtic punk Celtic rock Folk punk Folk rock Etichetta Warner, Rhino [S. MacGowan] We worked on earlier versions, with producer Elvis Costello, around the time of, and soon after, our work together on the Poguetry In Motion sessions. [Trad arr Woods, Chevron, Finer, Fearnley, Ranken, Stacy, Hunt, MacGowan] Produced by David Jordan, Glued Up And Speeding (1986, from the sountrack of the movie Sid And Nancy, previously unreleased) (c) Produced by The Pogues and David Jordan, The Wake Of The Medusa (1989 Demo, previously unreleased) (d) Produced by Steve Lillywhite, Engineered by Chris Dickie, Roy Spong, Nick Lacey, Johnny Come Lately (1988, from the album Copperhead Road) (d) Produced by Steve Lillywhite, Dirty Old Town (live at Barrowlands, Glasgow, 17/19 December, 1987) (d) [J. Finer] [url=https://www.setlist.fm/edit?setlist=6395bab7&step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/the-pogues-23d6dcbf.html]More The Pogues setlists[/url]. [P. Stacy] Поустман. By the start of 1987, we had come towards the end of a long period in which our recording opportunities were restricted mainly to soundtrack contributions to the Alex Cox movies Sid and Nancy [Disc Three] and Straight To Hell [see the CD Straight To Hell Returns, Big Beat Records CDWIKD 239] and some song demos - “Driving Through The City” - for Grace Jones, along with “Something Wild” and the instrumental “The Town That Never Sleeps”, both rejected for Jonathan Demme’s Something Wild [all Disc Two]. Line up lists indicate what the constitution of the band was at the time of recording, and does not necessarily suggest that all members were present on that particular recording. [Trad arr MacGowan, Finer, Fearnley, Stacy, Chevron, Ranken, Hunt, Woods] Produced by The Pogues, Engineered by Nick Robbins, JB 57 (1986, outtake from the Sid And Nancy soundtrack recordings, unused and previously unreleased) (c) Produced by David Jordan, Rince Del Emplacada (c. 1987, previously unreleased) (d) [K. MacColl / M. E. Nevin] [S. MacGowan] [J. Finer] [S. MacGowan], Battle March (1987 Demo, previously unreleased) (d) 【輸入盤】Just Look Them Straight In The Eye & Say... Pogue Mahone!! Produced by Steve Lillywhite, Engineered by Chris Dickie, Roy Spong, Nick Lacey, Nicaragua Libré (1987, outtake from the If I Should Fall From Grace With God recording sessions, previously unreleased) (d) Produced by The Pogues, Four O'Clock In The Morning (1994 Demo, previously unreleased) (g) Produced by The Pogues and Paul Scully, Mixed by Chris Dickie and Paul Scully, I Fought The Law (live at the Forum, London, 12 December 1991) (e) Our long-serving soundman Paul Scully cannot recall why he taped some of the soundcheck. Philip Chevron has generously provided these liner notes for those buying the box set through a virtual medium (e.g. [S. MacGowan / J. Finer] [J. Strummer / M. Jones] Produced by Elvis Costello and The Pogues, Engineered by Nick Robbins, Fairytale Of New York (extract from 2nd Demo, c. 1986, previously unreleased) (c) “Johnny Was” [Disc Five] comes from a brief episode in which Andrew, Darryl, Jem, James and myself formed our own support band - “Sexy Bongo” - for just one show in Sweden. Released 2 June 2008 on Rhino (catalog no. [J. Finer] These include full-throttle live recordings from Barrowlands, Glasgow in 1987 and The Pogues featuring Joe Strummer from the Forum in London, December 1991 where they perform Clash favourites "London Calling" and "I Fought The Law". Produced by The Pogues and Paul Scully, Mixed by Chris Dickie and Paul Scully, London Calling (live at the Forum, London, 12 December 1991) (e) What is clear, however, is that the piece itself still needed work before it would become the most beloved Christmas song of all time. Just Look Them Straight in the Eye and Say… Pogue Mahone! But we cannot represent these sessions fully without mention of the Astro-Physicians. Some found themselves in the position of being helpful to the band’s development without ever seeking exposure on their own account (or in any event, not at the time they were made). MP3) rather than the physical box set: Philip Chevron emerges from beneath a pile of old tapes and diaries to piece together the Pogues’ hidden legacy. Beatles.ru. (c.1991, rehearsal recording, previously unreleased) by the better-known “flugelhorn” mix everywhere except North America. The Pogues Box Set Juno Daily Music and tech news, interviews, features, reviews and more. “The Mistlethrush” [Disc Four] is from the cutting room floor of album number four, Peace And Love, though long-rumoured lengthy acid-jazz workouts from those sessions do not actually exist. Produced by The Pogues, The Rocky Road To Dublin (1984, previously unreleased) (a) Because Joe Strummer had accepted the job as Producer of the album at the last minute, he found himself having to squeeze a couple of other prior commitments into his time at Rockfield. Het is veelzeggend dat The Pogues na het vertrek van Shane in 1991 nooit meer zichzelf zijn geworden. But we have rescued “The Kerry Polka” [Disc One], a version of which later became part of “South Australia”, and early drafts of “Battle March”, “Streets Of Sorrow”, “Shanne Bradley” and an experimental “Lullaby Of London” [Disc Three], as well as a section of the final demo of “Fairytale Of New York”. arr Fearnley, Woods, Finer, Hunt, Chevron, Stacy, MacGowan, Ranken] The Pogues Bio The Pogues are an Irish rock band, formed in 1982 and fronted by Shane MacGowan. Produced by The Pogues, Haunted (1986, from the movie and sountrack album Sid And Nancy, also released as a 7" and 12" single) (c) Special singles edits or, indeed, extensions, were made for several of our singles and of these numerous items, we have included the single mix of “Fiesta”, the 12" extensions of “If I Should Fall From Grace With God” and “Yeah Yeah Yeah Yeah” [all Disc Four], not forgetting the “dub” version of “Young Ned Of The Hill” [Disc One]. Beatles.ru. “He was a miserable skinflint, an affliction and a sore”. Produced by The Pogues, Engineered by Nick Robbins, Junk Theme (1986, from the soundtrack album of Sid And Nancy) (c) Produced by The Pogues and David Jordan, Do You Believe In Magic? Nobody is quite sure, for example, why we set up a mixing desk and a Revox at our rehearsal room in North London and recorded a new song by Shane, “The Donegal Express” and another Ewan MacColl classic “The Travelling People” [both Disc One], but we’re glad we did, as the results have a sort of earthy authenticity we are widely supposed to have outgrown by 1990. By the time the band recorded a version of the song for the David Jensen radio show in 1984 [Disc Two], Shane had begun to substitute just a generally disapproving yelp for the offending Anglo-Saxon words. Produced by Joe Strummer, Engineered by Paul Cobbold, Afro-Cuban Be-Bop (Alt. Discogs: 1991 CD, Fairytale Of New York. Produced by The Pogues, Recorded by Justin Ward, Remixed (2007) by Nick Robbins and Rob Kyloch, Greenland Whale Fisheries (1983 Demo, previously unreleased) (a) What is exciting about hearing the 1983 demos of “Repeal Of The Licensing Laws”, “Dark Streets of London”, “Greenland Whale Fisheries” and “Streams of Whiskey” [all Disc Two] again 25 years later - apart from the fact that, as I write, all four numbers are still in the Pogues’ show in 2008 - is how strikingly they call to mind those heady and unpredictable early shows at the Bull and Gate, the Sir George Robey, the Pindar of Wakefield, Dingwalls, the 100 Club and other London venues where the first Pogues fans gathered to celebrate and toast the health of the almost kinetic force of this band, already the leading lights in an alternative London post-punk scene which, as its almost skiffle-like ethic did not provide the soundtrack the world-weary music paper hacks demanded in this early Thatcher era, received scant media coverage. Produced by The Pogues and David Jordan, The Black Dogs Ditch (1990, outtake from the Hell's Ditch album recording sessions, previously unreleased) (d) Chevron] A 10" bootleg single of these tracks surely qualifies as the rarest Pogues record ever. This seemed like a good moment to gather up “Garbo”, from the Australian film of the same name [Disc One]. [J. Finer] The Pogues - 1985-12-13 - Queen Margaret Union, Glasgow, Scotland claims to be the earliest surviving video of a full length Pogues concert. The Pogues Glasgow ticket It was December 17, 1987, when a few thousand Glaswegians heard the first version of the now-legendary song. Before, between and even during the making of our seven studio albums, there was this constant restlessness to try out new things, redevelop older ideas, and generally just try to figure out if there were any round holes which cried out to be plugged with square pegs. Produced by Stan Brennan, Engineered by Richard Preston, Boys From The County Hell (BBC David "Kid" Jensen Show, June 21, 1984, previously unreleased) (a) [S. MacGowan] Produced by Steve Lillywhite, All The Tears That I Cried (from the CD single My Affair, 1991) (d) [A. Ranken / P. Chevron] MacGowan, Finer, Fearnley, Stacy, Ranken, O'Riordan], Maggie May (1987, previously unreleased) (d) Among these were the two pieces of music he had promised Aki Kaurismäki for his pitch-black comedy thriller I Hired A Contract Killer. I The Stan Brennan-produced Red Roses For Me and the Elvis Costello-helmed Rum, Sodomy and the Lash arrived in 1984 and 1985 (neither album providing any outtakes of any kind) and signaled a period of extensive and exhausting touring, around Britain, then in quick succession to Germany, Scandinavia and the rest of Europe and also, by early 1986, the USA and Canada. Produced by The Pogues, Call My Name (outtake from Pogue Mahone album, 1995, previously unreleased) (g) [S. MacGowan] Produced by The Pogues and Nick Robbins, Rainy Night In Soho ("Oboe version", released on the North American editions of the Poguetry In Motion EP, MCA Records, February 1986) (c) [S. MacGowan] So It’s hard to tell, in the first two demo extracts (Costello plays piano on the first demo and bass on the second) how far the project could reasonably have progressed with that combination of talents. The Pogues were an English or Anglo-Irish[nb 1] Celtic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982,[17] as "Pogue Mahone" – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The Kerry Polka (1987, previously unreleased) (d) When Shane came down to Rockfield Studios in Wales, he allocated his time there to other ideas - including the remarkable medley of Culture’s “I’m Alone in the Wilderness” with his own “Pinned Down” [Disc One]. Produced by Nick Robbins and Rob Kyloch, Medley: The Recruiting Sergeant / The Rocky Road To Dublin / The Galway Races (live at Brixton Academy, London, 21 or 22 December, 2001, previously unreleased) (d) It is perhaps a mark of how fraught with debate the track-listing on that album became (some of the saga is detailed by Carol Clerk in her biography of the band) that when, at the album’s end, I left Rockfield with Joe, a passenger in his old Morris Minor, I was so certain that “Pinned Down / Wilderness” would make the final cut that it never occurred to me it might even need an advocate. Use this setlist for your event review and get all updates automatically! Kirsty MacColl 7 activities (last edit by ExecutiveChimp, 26 Jun 2020, 02:32 Etc/UTC). [S. MacGowan] Produced by Steve Lillywhite, Engineered by Chris Dickie, Roy Spong, Nick Lacey, The Balinalee (1987, outtake from the If I Should Fall From Grace With God recording sessions, previously unreleased) (d) [Trad arr MacGowan, Fearnley, Hunt, Woods, Ranken, Stacy, Chevron, Finer] Kirsty MacColl [S. MacGowan] [S. MacGowan] Форум Music General. [S. Earle] Poguetry, an exceptionally strong E.P. Compiled by The Pogues with track by track annotations from Phil Chevron, there are a bountiful 109 tracks from 1983 demos (pre-dating their first recordings for Stiff Records) through to live recordings from 2001 when The Pogues re-convened for a series of memorable live shows for the first time since they disbanded in 1996. Produced by The Pogues, Engineered by Nick Robbins, Paris (1986, from the soundtrack of the movie Sid And Nancy, previously unreleased) (c) - The Pogues Box Set, an Album by The Pogues. The Waiting For Herb album is represented by demos of “My Baby’s Gone” [Disc One] and “The Girl From The Wadi-Hammamat” and an instrumental, “Moving To Moldova”, a version of which later, with lyrics, became the epic “Drunken Boat” [both Disc Five]. Produced by The Pogues, Navigator (live, Sweden 1985, previously unreleased) (b) Joe Strummer)) 7. Well, I suppose it renders them no longer demos but Lost Masters, as they appear nowhere else in the Pogues’ catalogue. Produced by Jem Finer, The Good, The Bad and the Ugly (1987, from the original soundtrack LP of the movie Straight To Hell) (c) Please send me scans of your tickets ! The band reached international prominence in the 1980s and early 1990s. Produced by Steve Lillywhite, Kitty (live at Barrowlands, Glasgow, 17/19 December, 1987) (d) [S. Earle] Produced by The Pogues, Recorded by Justin Ward, Remixed (2007) by Nick Robbins and Rob Kyloch, The Auld Triangle (BBC John Peel Show, April 10, 1984, previously unreleased) (a) What does that make your “demos”? The Best Of The Pogues WEA 9031-75405-2 Album CD 09.1991 3:46 The Very Best Of... WEA 8573 87459 2 Album CD 26.03.2001 3:45 Alternative Eighties Sony TV STVCD141 Compilation CD 22.04.2002 3:46 Rum Sodomy [J. Finer] Produced by The Pogues and Nick Robbins, Driving Through The City (c. 1986, previously unreleased) (c) [Trad arr MacGowan, Ranken, Finer, Fearnley, Stacy, O'Riordan], Sea Shanty (1984 Demo, previously unreleased) (a) Produced by The Pogues, Shanne Bradley (1987 Demo, previously unreleased) (d) [Lyrics: P. Stacy / Music: Trad. Well, there is actually, but even The Pogues reserve the right to keep private some of our less than glorious moments! [S. MacGowan], Connemara, Let's Go! So what’s all this then? We don’t know how many acetate copies were made up, complete with special labels, but I have managed to establish that there is one copy in Germany and another in Japan, and I know this because it is the near-pristine Japanese copy we borrowed to dub from for this collection - it is so obscure that we did not even have a tape ourselves, nor have we been able to discover how it reached the hands of the bootleggers in the first place. It is heard here in two versions, the original movie mix as featured on the flip side of the rare “Burning Lights” single [Disc Five] and a fuller mix, which Simon Willey made later at Lucinda Strummer’s request. Produced by David Jordan, Haunted (1986 Demo, previously unreleased) (c) [E. MacColl] [P. Stacy] Предвесеннее BATLES-party с группой DANS RAMBLERS в Ритм-Блюз Кафе Produced by Steve Lillywhite, Engineered by Chris Dickie, Roy Spong, Nick Lacey, Japan (1988, live in Tokyo, previously unreleased) (d) [J. Finer] / [J. Finer/P. Ook van die albums zijn outtakes, demo’s en The “radio-friendly” version of “Boys From The County Hell” [Disc One] did nothing to propel that particular single into the Top 40, but it did set down the first marker in a long-running squabble between the Pogues and the British broadcasting establishment about lyrical propriety. (1994 Demo, previously unreleased) (g) Produced by Nick Robbins and Rob Kyloch. For all the latest news about the Barrowland Ballroom Glasgow arr Stacy / Chevron] The main song, “Burning Lights” is performed by Joe in the movie but “Afro-Cuban Be-Bop”, which is heard over the closing credits, features the Astro-Physicians, an ad hoc band formed especially for the project and containing only the Pogues. Produced by Stan Brennan, Engineered by Richard Preston, Transmetropolitan (1984 Demo, previously unreleased) (a)